His Carpets Flowered
William Morris
I
—how we’re carpet-making
by the river
a long dream to unroll
and somehow time to pole
a boat
I designed a carpet today—
dogtooth violets
and spoke to a full hall
now that the gall
of our society’s
corruption stains throughout
Dear Janey I am tossed
by many things
If the change would bring
better art
but if it would not?
O to be home to sail the flood
I’m possessed
and do possess
Employer
of labor, true—
to get done
the work of the hand…
I’d be a rich man
had I yielded
on a few points of principle
Item sabots
blouse—
I work in the dye-house
myself
Good sport dyeing
tapestry wool
I like the indigo vats
I’m drawing patterns so fast
Last night
in sleep I drew a sausage—
somehow I had to eat it first
Colorful shores—mouse ear…
horse-mint… The Strawberry Thief
our new chintz
II
Yeats saw the betterment of the workers
by religion—slow in any case
as the drying of the moon
He was not understood—
I rang the bell
for him to sit down
Yeats left the lecture circuit
yet he could say: no one
so well loved
as Morris
III
Entered new waters
Studied Icelandic
At home last minute signs
to post:
Vetch
grows here—Please do not mow
We saw it—Iceland—the end
of the world rising out of the sea—
cliffs, caves like 13th century
illuminations
of hell-mouths
Rain squalls through moonlight
Cold wet
is so damned wet
Iceland’s
black sand
Stone buntings’
fly-up-dispersion
Sea-pink and campion a Persian
carpet
from Collected Works edited by Jenny Penberthy (University of California Press, 2002), copyright © Regents of the University of California 2002, used by permission of the publishers. The Recording is used courtesy of PennSound, an ongoing project of the Center for Programs in Contemporary Writing at the University of Pennsylvania. PennSound is committed to producing new audio recordings and preserving existing audio archives.