Catherine Byron's poems write themselves where they ought: on the inside of your skin. Hilary Mantel

Bryce's phrasing is precise, her word-play sensuous, smart and snappy. The Guardian.

The composition stage of the poem is not finished until I am satisfied with how the poem works in the mouth and in the ear as well as in relation to its imagery and its meaning.

[Her] poems come to us with the intimacy of whispered secrets - Paul Batchelor

The furthest distances I've travelled/ have been those between people. Leontia Flynn

not a thing no one will stop me I've got to go / down to the wild sea - 'Sea Wind', Tom Paulin