His Carpets Flowered

William Morris

I

—how we’re carpet-making

by the river

a long dream to unroll

and somehow time to pole

a boat

 

I designed a carpet today—

dogtooth violets

and spoke to a full hall

now that the gall

of our society’s

 

corruption stains throughout

Dear Janey I am tossed

by many things

If the change would bring

better art

 

but if it would not?

O to be home to sail the flood

I’m possessed

and do possess

Employer

 

of labor, true—

to get done

the work of the hand…

I’d be a rich man

had I yielded

 

on a few points of principle

Item sabots

blouse—

I work in the dye-house

myself

 

Good sport dyeing

tapestry wool

I like the indigo vats

I’m drawing patterns so fast

Last night

 

in sleep I drew a sausage—

somehow I had to eat it first

Colorful shores—mouse ear…

horse-mint… The Strawberry Thief

our new chintz

 

 

II

Yeats saw the betterment of the workers

by religion—slow in any case

as the drying of the moon

He was not understood—

I rang the bell

 

for him to sit down

Yeats left the lecture circuit

yet he could say: no one

so well loved

as Morris

 

 

III

Entered new waters

Studied Icelandic

At home last minute signs

to post:

Vetch

 

grows here—Please do not mow

We saw it—Iceland—the end

of the world rising out of the sea—

cliffs, caves like 13th century

illuminations

 

of hell-mouths

Rain squalls through moonlight

Cold wet

is so damned wet

Iceland’s

 

black sand

Stone buntings’

fly-up-dispersion

Sea-pink and campion a Persian

carpet

 

from Collected Works edited by Jenny Penberthy (University of California Press, 2002), copyright © Regents of the University of California 2002, used by permission of the publishers. The Recording is used courtesy of PennSound, an ongoing project of the Center for Programs in Contemporary Writing at the University of Pennsylvania. PennSound is committed to producing new audio recordings and preserving existing audio archives.

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