A Natural History
… the river’s
Ice closes; silvery carp, whiskered and scaly
As dragons, cluster
And thrash around the piers
Of the bridge. Frogs,
Eels, water rodents
Die. On the bank, preserved like impurities
In glass, a rutty tangle of wheel tracks, of paw-
And hoof-prints, of sandal- and boot-prints. At intervals
I found fire-
Ravaged altars, some blackened, some
Still smouldering; pools
Of congealed blood, from either an offering or perhaps
A wound, lay in the hollows
Of the uneven floors. Near one
I knelt and fingered
The shards of a pot, or water clock, painted bright red
And pink, like a fuchsia; tucked
Up under the eaves of another, an abandoned
Bird’s nest, fabricated in a curious manner
From scraps of wool, and brown animal hair, and a few fragments, torn but still
Just legible, of papyrus …
… now the Magi
Who are all
Appalling liars, believe the gods will never appear to, nor obey,
A person with freckles. To one who has a fishbone
Lodged in the throat, they say, ‘Plunge
Your feet in freezing water’; but if it’s a crust
That’s stuck there, the remedy is bread from the same loaf
Rammed into both ears. Headaches
Are best cured, they claim, by pouring vinegar
Over door-hinges, and applying the resultant sludge
To the temples. They venerate the mole, and trust
The entrails of no creature as they trust
Those of this tiny blind tunneller through the bowels
Of the earth. Anyone who consumes a mole’s heart, fresh
And still beating, will see like a prophet
Into the future. Avoid
Using a vulture’s feather as a toothpick; for sweet breath
Rub the ashes of burnt mice mixed with honey
Around the gums, then clean
With a porcupine quill. Should you suffer
From persistent pain in the abdomen, tear open
A bat …
… beyond
Stretches a desert where flickering ghosts crowd
Round the startled traveller, then vanish. Nature
Would have us wonder
At her ingenuity, and creates men who never spit,
Who stand all day watching the burning sun journey across the sky, moving
Only to shift their weight from foot
To foot. Some are born with two pupils
In one eye, and in the other, if you look
Closely, you will see the image of a horse. There are regions
Where no shadows
Ever fall, where men sleep but do not dream, where human
Skulls serve as water vessels. Those on whose mouths
A swarm of bees settled when they were young, will sway
Whole peoples with their clear
Golden words in later life. But no
Words spoken of any kind, in any tongue, can allay
The griefs of ageing, or deny our racked bodies their final, sweet
Release into oblivion: sure signs
Of impending death include numbness, raucous laughter, mottled
Eyes or nostrils, fingers toying obsessively with the tasselled
Fringe of the bedspread . . .
from Six Children (Faber, 2011), © Mark Ford 2011, used by permission of the author and the publisher.