Biography

Dominic Frances Moraes (1938-2004) considered a pioneer of Indian English Poetry, had published almost 30 books during his lifetime, and contributed much to inter-continental poetic understanding through essays, articles and theories. Born in Bombay, his father Frank Moraes was an editor for The Times of India and during Dom’s childhood, they travelled through South East Asia, New Zealand and Australia. He began writing poetry at 12 and published his first book at 13 about cricket called ‘Green is the Grass’ in 1951.  

His first poetry collection, A Beginning (1957) was published when Dom was an Oxford undergraduate, which won the Hawthornden prize in 1958. To this day, he is the youngest and the only Indian poet to have received this award, being awarded a prize of £100. His second collection, Poems, dedicated ‘to D’, a British actor named Dorothy, was published in 1960, and grappled with themes of love, and sexuality. Being in the same circles as W.H Auden, Stephen Spender and William Empson, he gravitated towards the English language for his poetry and was interested in English poetic tradition. He carried a distinctly Romantic feeling in his poetry, especially in A Beginning (1957), with dazzling descriptions of nature and fantastical characters in poems such as Figures in the Landscape. John Nobody was published in 1965, following which he transitioned into journalism, writing for the New York Times from 1968 to 1971, as well as editing for Asia Magazine from 1971 to 1973. Moving back to India, he became increasingly intertwined with the country’s socio-political literary climate, defending Salman Rushdie’s novel after being refused publication in Bombay. In his last years, he lived with writer Sarayu Srivatsa, collaborating on Out of God’s Oven, a travel writing on India and The Long Strider, a biographical fiction and memoir on traveler Thomas Coryate.  

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Dom Morae’s poetic rhetoric explores the imaginary liminality of landscapes, reflecting the surreal eroticism of relationships upon historic spaces and nature, drawing on ancient Indian epistemologies to define his exploration of modern English poetry. Kanheri Caves published in the January 1959 issue of Poetry (vol 93 number 4) explores the caves in the forests of the Sanjay Gandhi National Park in Mumbai, India. Many of the caves are Buddhist viharas, temples for living and meditation, the larger caves being halls for congregation with Buddhist sculptures and carvings. Moraes’ poetry possesses the Romantic tension between dream and reality, which Kanheri Caves also seems to hold.  The poem follows the speaker walking through the caves observing the 'green ambiguous landscape' which 'teeters the perspective of the eye,' the sceptical language conveying the perhaps practical voice. Moraes' use of sound to capture the people who lived there, leaving 'like a faded photograph,' the soft fricatives embodying the waning of their history. The second stanza outlines the physical remains of the caves, perfectly capturing its history and legacy. Though this building holds a chance for rebirth as the stone's wear makes it 'smooth as flesh', the third stanza explores the potential birth of a 'stranger,' perhaps a reincarnation, being woken by 'hawks in a hot concentric ecstasy.' The 'miles-off sea' seems to suggest an awareness of what is beyond, but an inability to truly see it.  

Poems by Dom Moraes

Kanheri Caves - Dom Moraes

Books by Dom Moraes

Awards

1958

Hawthornden Prize

1994

Sahitya Akademi Award for English

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