I'm very reader-conscious and, I hope, reader friendly and sometimes when I have very little to say which is really the best time to write for me...When I was a young poet I had lots of stuff to say and then I found out that these things had been said much better, and then I realised I had nothing to say and my poetry improved remarkably. So in some of these conditions I like to write a poem that is about the reader, about you, presumably, and just about our relationship, more or less. So I think the poem is a sort of lasso to catch the reader's attention. So I'll start with this poem; it's just called 'You, Reader'.

You, Reader

 

I wonder how you are going to feel
when you find out
that I wrote this instead of you,

that it was I who got up early
to sit in the kitchen
and mention with a pen

the rain-soaked windows,
the ivy wallpaper,
and the goldfish circling in its bowl.

Go ahead and turn aside,
bite your lip and tear out the page,
but, listen – it was just a matter of time

before one of us happened
to notice the unlit candles
and the clock humming on the wall.

Plus, nothing happened that morning –
a song on the radio,
a car whistling along the road outside –

and I was only thinking
about the shakers of salt and pepper
that were standing side by side on a place mat.

I wondered if they had become friends
after all these years
or if they were still strangers to one another

like you and I
who manage to be unknown and known
to each other at the same time –

me at this table with a bowl of pears,
you leaning in a doorway somewhere
near some blue hydrangeas, reading this.

From The Trouble with Poetry (Random House, 2005), © Billy Collins 2005 used by permission of the author and the publisher; Recording from Billy Collins Live: A Performance at the Peter Norton Symphony Space (Random House, USA, 2005).

Featured in
World Book Day 2025
See the collection

The free tracks you can enjoy in the Poetry Archive are a selection of a poet’s work. Our catalogue store includes many more recordings which you can download to your device.

Featured in the archive

Close