Poetry Archive Now Wordview 2022: Few Exceptions
by Kendra Mills
I wrote this poem in April of 2022, as I was coming to grips with the repercussions of the pandemic and my continued sense of detachment, which in many ways recalled my experience of the year following my father's death. In a broader sense, this poem addresses survival, and the sacrifices therein.
Poetry Archive Now Wordview 2022: Few Exceptions
Unaccustomed to my vacant life, I come slowly
Untethered
as if treading on birds. We are imperfect
instruments—I make up my mind
to read Ulysses out of spite, again,
and pay to spend time in a greenhouse,
ironically.
Under its ribs, which push
into the sky,
the mist falls across my face, hissing.
The fronds of an overgrown cabbage
cup my head from above,
as though blessing me. I type
worst dildo??? with an image
of a tumescent cactus. We are imperfect
instruments
of one another’s desire. At the pond
a child
stands beside me. We gaze at the small koi
and the stupidness of their moving
faces,
protruding eyes. The child says
to his vacant mother,
living out her own unexpectedly
vacant life,
je voudrais une grande feuille,
which to me, so recently
blessed,
is all the more profound
because French is the language
of unapologetic aristocracy, condescension,
and my immense personal laziness. I am a sprinter,
intellectually speaking, and language
acquisition requires
a commitment to the throughline.
Somewhere in the fracturing past,
my father takes me to the pet store
in the woods. There are few exceptions
to what can be found in the woods
near the ocean, or by
the airport in my hometown. The pet store has miniature
ponies.
If you are reading this, you are a person,
who was once a child
so you can imagine
my delight.
A foal is born, the hair of its forehead grows
Long
in the yellow spiral of a sun. When my rabbits die
my father gets fish and we return
often to the pet store, at a loss
of what else to do with one another
We spontaneously choose a beautiful fish.
It is a fighting fish
and it takes chunks out of the guppies
and ingests
their tiny, accidental babies.
It is around this time that my memory
splinters.
It is possible that we allow the fighting fish
to continue to consume
its compatriots, drifting alone
through the emptying water
until long after
my father’s death. Equally possible that we
exile him
and that the other fish
die
from quieter neglect.
Does the trajectory matter when the outcome
is the same.
What I recall with certainty
is that the fighting fish survives.
It lives
in my friend’s front room, where the sunlight
turns its tail fins
into a stained glass window.
Originally published by Mud Season Review
Poem recorded as part of Poetry Archive Now: Wordview 2022. Used by permission of author.
A special thank you to our WordView 2021 poets.
Chair of the Judging Panel, Joelle Taylor, says: "We were thrilled by the range and scope of the poetry and techniques explored throughout the wide submissions. I have said before that to write a poem is an act of resistance but to then perform it as well is a revolution. It takes a bravery to face the page, and a further one to stand by your words. While we’ve all become more used to filming ourselves over the pandemic, all of us were deeply aware of that courage.
Often when on a judging panel we find ourselves faced with impossible decisions. If you can imagine, after sifting, it’s as though a hundred people have crossed the finish line at precisely the same moment but there are only three medals. How do we come to these decisions? Through the objective unpicking of the poems, through our individual passions, through a consideration of narratives, especially those lesser heard. We come to it through uneasy negotiation and through heart, and above all through our shared love and understanding of the possibilities of poetry.
Our honest applause goes to all who submitted, and I hope you can hear it.
Congratulations to those we selected. We hope to see you all again soon."
See the collectionWatch the full Wordview 2022 playlist