I do mock literature and take it seriously at the same time, but anyone who is passionately attached to a football team will have similar mixed feelings - Ian Duhig
Share PoetCopy to clipboardCopied
About Ian Duhig
Ian Duhig (b. 1954) was the eighth of eleven children born to Irish parents with a liking for poetry. He has won the National Poetry Competition twice, and also the Forward Prize for Best Poem; his collection, The Lammas Hireling, was the Poetry Book Society’s Choice for Summer 2003, and was shortlisted for the T.S. Eliot Prize and Forward Prize for Best Collection. Chosen as a New Generation Poet in 1994, he has received Arts Council and Cholmondeley Awards, and has held various Royal Literary Fund fellowships at universities including Lancaster, Durham, Newcastle and his own alma mater, Leeds.
His poetry is open to a multiplicity of subjects, from Apollinaire to Yorkshire pudding, from string vests to sutras; he has a particular gift for ignoring barriers between subjects that could be thought to be distinct. Thus ‘Paschal Anthem’ revels in the detail that Lent once ended with ceremonies to ridicule the herring, combining the studious discovery of that fact with the less than glamorous fish. This poem is also written to the tune of ‘The Shoals of Herring’ by Ewan MacColl, which – although Duhig does not sing it – shows his mastery of metrical demands, as does ‘There is No Rose of Such Virtue’, a hymn to “Our Lady of Atheists” inspired by experiences of Cumbria during a foot-and-mouth outbreak.
While involved in social work, he encouraged people, whether homeless or suffering from addiction, to help themselves through poetry; this period informs ‘Chocolate Soldier’, where a famous folk music club in York, next to Duhig’s hostel for the homeless, barred everyone connected to the hostel – while “singing songs like ‘I am a jolly beggarman'”. The grim humour of that is a recurrent note. ‘Fundamentals’, for example, is a dramatic monologue packed with irony in which a missionary attempts to convert a reluctant crowd to a polite, colonial Christianity.
Duhig ensures he mentions any knowledge that is necessary to these poems, whether it is the Hiroshima setting of ‘From the Plague Journal’, or the Suibhne reference in ‘Margin Prayer from an Ancient Psalter’, and reads the poems in a gravelly tone that accentuates the music and feeling of each. This is true to his description of poetry, in an interview with Lidia Vianu, as “the alchemy of mind and heart”.
Ian Duhig’s Favourite Poetry Saying:
“Only those who are lost in error follow the poets.” – Qur’an 26.224, trans. M.A.S. Abdel Haleem
Ian's recording was made on 6 February 2003 at The Audio Workshop, London and was produced by Richard Carrington. Photograph by Paul Maddern.
Poems by Ian Duhig
Featured in the Archive
Books by Ian Duhig
National Poetry Competition for Nineteen Hundred and Nineteen 1989 Northern Poetry Competition for SplenditelloPrize website
Northern Poetry Competition for SplenditelloPrize website
Forward Poetry Prize (shortlist) for The Bradford CountPrize website
T. S. Eliot Prize (shortlist) The Mersey GoldfishPrize website
Arts Council Writers' AwardPrize website
National Poetry Competition for "The Lammas Hireling"Prize website
Cholmondeley AwardPrize website
Forward Best Single Poem Prize for "The Lammas Hireling"Prize website
Forward Poetry Prize (shortlist) for "Rosary"Prize website
International Writer Fellow at Trinity College DublinPrize website
T. S. Eliot Prize (shortlist) for The Lammas HirelingPrize website
Royal Literary Fund Fellowship Leeds Trinity UniversityPrize website
Fellow of the Royal Society of LiteraturePrize website
Costa Poetry Award (shortlist) The Speed of DarkPrize website
T. S. Eliot Prize (shortlist) for The Speed of DarkPrize website
Royal Literary Fund Fellowship University of BradfordPrize website
The Blind Roadmaker shortlisted for Forward Best CollectionPrize website
The Blind Roadmaker shorlisted for T S Eliot PrizePrize website