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B. 1640 D. 1689
A thousand martyrs I have made, all sacrificed to my desire. - Aphra Behn 'A Thousand Martyrs'
B. 1667 D. 1745
How very mean a thing is a Duke; From all his ill-got honours flung, turned to that dirt from whence he sprung. - Jonathan Swift 'A satirical elegy on the death of a late famous general'
B. 1759 D. 1796
Deep in heart-wrung tears I'll pledge thee, warring sighs and groans I'll wage thee. - Robert Burns 'Song: ae fond kiss and then we sever'
B. 1774 D. 1843
Why that I cannot tell, said he, "But 'twas a famous victory." - Robert Southey, 'After Blenheim'
The composition stage of the poem is not finished until I am satisfied with how the poem works in the mouth and in the ear as well as in relation to its imagery and its meaning.
I'm drawn to what you might think of as traditional lyric poetry; it's an enduring, effective, powerful means of expression.
Birthcries repeatedly / new, self pull out self, self / issuing that self home - Vahni Capildeo, 'On Not Writing as a West Indian Woman'
No matter how compelling her themes, with their demands of compassion and political conscience, Satyamurti never loses hold of her main topic: the capacity of language. Bernard O'Donoghue, Poetry London
B. 1743 D. 1825
Woman! too long degraded, scorned, opprest; / O born to rule in partial Law's despite, / Resume thy native empire o'er the breast! Anna Laetitia Barbauld, 'The Rights of Women'
B. 1612 D. 1672
All things within this fading world hath end. ('Before the Birth of One of Her Children')