The Thermal Stair
The Thermal Stair
I called today, Peter, and you were away.
I look out over Botallack and over Ding
Dong and Levant and over the jasper sea.
Find me a thermal to speak and soar to you from
Over Lanyon Quoit and the circling stones standing
High on the moor over Gurnard’s Head where some
Time three foxglove summers ago, you came.
The days are shortening over Little Parc Owles.
The poet or painter steers his life to maim
Himself somehow for the job. His job is Love
Imagined into words or paint to make
An object that will stand and will not move.
Peter, I called and you were away, speaking
Only through what you made and at your best.
Look, there above Botallack, the buzzard riding
The salt updraught slides off the broken air
And out of sight to quarter a new place.
The Celtic sea, the Methodist sea is there.
You said once in the Engine
House below Morvah
That words make their world
In the same way as the painter’s
Mark surprises him
Into seeing new.
Sit here on the sparstone
In this ruin where
Once the early beam
Engine pounded and broke
The air with industry.
Now the chuck of daws
And the listening sea.
“Shall we go down” you said
“Before the light goes
And stand under the old
Morvah and St Just?”
You said “Here is the sea
Made by alfred wallis
Or any poet or painter’s
Eye it encountered.
Or is it better made
By all those vesselled men
Sometime it maintained?
We all make it again.”
Give me your hand, Peter,
To steady me on the word.
Seventy-two by sixty,
Italy hangs on the wall.
A woman stands with a drink
In some polite place
And looks at SARACINESCO
And turns to mention space.
That one if she could
Would ride Artistically
The thermals you once rode.
Peter, the phallic boys
Begin to wink their lights.
Godrevy and the Wolf
Are calling Opening Time.
We’ll take the quickest way
The tin singers made.
Climb here where the hand
Will not grasp on air.
And that dark-suited man
Has set the dominoes out
On the Queen’s table.
Peter, we’ll sit and drink
And go in the sea’s roar
To Labrador with wallis
Or rise on Lanyon’s stair.
Uneasy, lovable man, give me your painting
Hand to steady me taking the word-road home.
Lanyon, why is it you’re earlier away?
Remember me wherever you listen from.
Lanyon, dingdong dingdong from carn to carn.
It seems tonight all Closing bells are tolling
Across the Duchy shire wherever I turn.
from New Collected Poems (Faber, 2004), copyright © W S Graham 2004, used by permission of The Estate of W S Graham. Recording from the private recordings of Ronnie Duncan, used with his permission and that of the Estate.