I spent the first months of the lockdown at my mum's house, where she occasionally shared baby pictures & stories surrounding them with me. She lost my brother two years after birth. Here, I am reimagining my mum (who is coincidentally Maria) & her man, an artist, in his diary trying to give words to her grief.

Mrs/Mother Hail was written during 2021's ongoing pandemic when the feelings of my world becoming even smaller needed to be given voice. Through a worsening of mental health due to my neurodivergence, I have reduced my sense of the larger world to the bare minimum. I wanted to tell the story of my survival within the small, everyday moments. I also wanted to express in the poem my gladness that I am a mother. The poem is also a prayer to hope.

I'm fascinated by prose poetry as a box of tricks, with unexpected things hidden and revealed, so I have written a number of prose poems which address conjuring and sleight of hand. This was written around my birthday in January, thinking of childhood influences and inspirations which have somehow led to me pulling words out of empty air for a living. What happened when I sawed that girl in half? I'm not saying.

During the pandemic I've had phone calls from a health professional stating that I wouldn't receive treatment should I contract Covid, and that I should consider getting a Do Not Resuscitate Order. This became known as The DNR Scandal by BBC News when they were breaking the story a year on. It left the news cycle within 24 hours. 'Long term conditions' means a sigh of relief when COVID deaths are reported. Hayfeaver is also a long term condition.

I wrote this sort of in sympathy with the wildness inherent in everybody, and the often seemingly primal motives behind the things we do (be they good, bad or neither). Lockdown/the pandemic in particular has brought out so much fear, loneliness and optimism, which remind me of our 'pack animal' instincts and the fact that we respond to threats in different ways - also the extent at which we can feel peace in the present moment.

One advantage of lockdown has been the turning of many of us to self-improving education, but isolation can have strange effects, and this narrator may or may not be reliable. The other inspiration during 2021 was, unfortunately, the Government's increased tendency towards more repressive legislation, which is hinted at towards the end.

This poem was written in response to the declining mental health of my colleagues during the pandemic. Whilst we were all so glad to physically return to school, many teachers, including myself, struggled with the myriad of challenges that came with supporting our students. This poem acknowledges its mental toll, and tentatively contemplates ways to move forward and re-build hope.

This poem came more rapidly into a first draft than is my usual writing experience . Its subject has been in my memory since the late seventies. Writing it, I was at pains to convey the whole question of having an environmental dream. And of the respect I felt, and feel still, for someone who holds on to deeply-felt hope, in very difficult circumstances.

So many businesses and brands have gone from the high street in recent years, but the closure of Topshop's flagship Oxford Street store seemed particularly striking. I'd read about rats overtaking our offices and shops during the 2021 lockdown and imagined them on a fast-fashion rampage.

The first line was my response–during a call–to the Derek Chauvin trial verdict. The night before, when the verdict was imminent, I’d said I didn’t want to know yet, as “the most likely bad news can keep till tomorrow.” So little was my faith that justice would be done. Throughout the day the line kept coming back to me, and the person on the call called again to say they'd been using it with others. The line seemed to be asking to become a poem.

This is quite a self-explanatory poem. My mother died a few years ago and my father a little afterwards. In searching for a scarf/mask