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BBC 100 Collection
Celebrating 100 years of poetry on the BBC
The BBC has long been a champion of poetry, and over the last 100 years has had a major influence in both its creative evolution and its national and global promotion. For the BBC’s centenary in 2022, we have created this collection marking key moments in the story of poetry at the BBC. You can discover key milestones in poetry broadcasting across ten changing decades via our interactive timeline, as well as listening to specially selected poems from the BBC’s own historic archive.
The BBC collection is organised by decades starting from 1920 leading us up to the present. It has a plethora of poets as well as insightful expert commentary for each decade provided by our academic partner on this project, the University of East Anglia (UEA).
The additional commentary includes archive footage of video content from the BBC, links to external resources and long-form articles written in our blog pages.
This website collection marks a special partnership between Poetry Archive, BBC and UEA, creating a unique resource of poetic voice, broadcast history and in-depth scholarship.
- 1920s -
The Birth of Poetry Broadcasting
"Broadcasting is a development with which the future must reckon and reckon seriously".
- BBC’s first Director-General John Reith
When it began in 1922 few listeners can have foreseen how broadcast media would come to dominate our lives over the next hundred years.
- 1930s -
A World Torn Apart
Modern Poetry and the Pylon Poets
In 1936 W.B. Yeats was invited by the BBC to give its 18th National Lecture, on the subject of ‘Modern Poetry’. During the broadcast he confessed that he disliked T.S. Eliot’s verse, but had ‘to admit its satiric intensity’, and acknowledge its influence on a new generation. These younger writers, such as W.H. Auden, Stephen Spender, Louis MacNeice, and Cecil Day Lewis, were sometimes known as the ‘Pylon Poets’ for the way the newly electrified landscape of Britain loomed in their verse. Yeats preferred other voices and styles, notably Eliot’s contemporary Edith Sitwell, whom he found ‘obscure, exasperating, delightful’.
- 1940s -
Apocalypse and After
Still falls the Rain -
Dark as the world of man, black as our loss -
Blind as the nineteen hundred and forty nails
Upon the Cross
- Edith Sitwell's 'Still Falls the Rain'
Sitwell's poem 'Still Falls the Rain' was written in response to the London Blitz in 1941. Most of the poems here reflect the experience of living through this dark decade.
The war renewed debate about poetry in public life. In 1941, the weekly BBC magazine The Listener asked Robert Graves (‘as a war poet’) to explain why the war had produced little great poetry so far. Because, Graves said, it was a different kind of war.
- 1950s -
The Golden Age of Radio
The New School
In 1950, the British literary magazine Nine asked its readers whether ‘the BBC and the literary periodicals are carrying out their responsibilities to poetry’. The readers replied that the BBC ‘should encourage more new poets’. The idea of the ‘new’ was a constant theme of the decade. Britain emerged from the war years with a desire for national renewal, expressed by the Festival of Britain in 1951, with its celebration of contemporary art, design and science.
- 1960s -
Experiment and Pop
A Departure from Convention
The BBC began the new decade with a new format for poetry programmes. 'The Living Poet', which ran until the early 1990s, would feature a single poet giving a recital of their poems. In 1960, this was a radical departure from convention: most poems broadcast on the BBC were read by actors, and most programmes were anthologies bringing together poems by many different poets. 'The Living Poet' realised that poets, and poetry audiences, increasingly wanted not just the poet's words, but their voice.
- 1970s -
Liberation
A Diversity of Voices
In the 1960s the BBC's poetry programming opened itself up to the world. In the following decade, it discovered a far greater diversity of voices within the UK itself as 'BBC English' began to venture further beyond the rule-bound respectability of Received Pronunciation.
- 1980s -
Voices of the People
The National Poetry Competition
In 1978, the Poetry Society and the BBC launched the National Poetry Competition. Several of the poets featured in this section were winners in the years that followed: Tony Harrison in 1980, Carol Ann Duffy in 1983 and Ruth Padel in 1986. But poetry is hardly a competitive activity, and the poems featured in this section show the variety of voices at play in a changing Britain.
- 1990s -
New Countries
The New Rock and Roll
The 1990s was a time of youthful self-confidence in British culture. The early years saw the rise of the Young British Artists, led by Damien Hirst, and the Britpop sound of bands like Blur, Pulp and Elastica. In 1994, a younger generation of UK poets – including Carol Ann Duffy, David Dabydeen and current Poet Laureate Simon Armitage -- were widely promoted across the BBC as a ‘New Generation’, while arts journalists debated whether poetry was ‘the new rock and roll’.
- 2000s -
Poetry 2.0
A New Millennium
As a new millennium began, the BBC had become a significant force in the UK poetry culture. Not only did it give a platform to poets and introduce them to new audiences; now, it created festivals and residencies, and commissioned new work. A sign of the times was the introduction of a new radio programme, The Verb, in April 2002, which continues to be presented by the poet Ian McMillan.
- 2010s -
Looking Ahead
How We Did It
There are too many brilliant poets to mention in any one gathering so for the decade of the 2010s we asked our visiting public and BBC Radio producers for their favourite contemporary poets, and we have offered examples of their work which we care for in the Archive. We hope you love exploring these poems as much as we did bringing them together.
Looking back on one hundred years of poetry on the BBC, current Poet Laureate Simon Armitage takes us on a guided tour of our brand-new BBC 100 Collection.
